“The aim of art is to represent not the outward appearance of things, but their inward significance.”— Aristotle
‘Chickens Alongside Vegetables on aStone Floor’ by Edgar Hunt, circa 1910
A tender still life of rural charm, Hunt’s farmyard scene captures the quiet rhythm of country life in rich, familiar detail.
‘Rosalind in the Forest’ by John Everett Millais, 1868
Drawn from Shakespeare’s As You Like It, Millais’s Rosalind waits beneath the trees — a portrait of love, disguise, and quiet resolve.
‘Jerusalem: The Emanation of theGiant Albion’ Plate 100, by William Blake, 1820
A spiritual finale to Blake’s great work, this illuminated plate captures imagination, struggle, and the eternal dance of light and shadow.
